The Chicken and the Crow

 

Moldova, Transnistria and Belarus have flashed past my window like car headlights, fierce and bright and then nothing as my eyes refocus on where I am today.

I woke up at home this morning with the last three months in Eastern Europe twitching like roadkill in my rear-view mirror.  Before me is an ominous fog.  My future, all our futures, are behind that swirling cloud.

F*cking clouds.

In my worst days I feel like I’m constantly falling through them.  A conversation is lost as  I tumble towards gravity’s mouth – that gaping maw, sucking me down, shouts fading to whispers a thousand feet above me; thoughts too drop out of my pockets and flap about in the turbulent flurry.  I get tired.  I could sleep for a century.  And as I spin head-over-heels, or plummet in a graceless belly-flop, or spiral like a broken rocket ship closer to the ground, another important ingredient tears off of me, tossed into the roaring wind, spinning away into the rushing oblivion.

I lost my confidence in Moldova.

My confidence is bi-polar.  It either fires me high into the sky, or leaves me stranded on a plank of wood, drifting towards the edge of the world.  When it circles around me like a guardian lion, tail swishing against my legs, I think it’s going to keep me company forever – but my confidence is really a cocky pigeon dressed in dragon scales, and it’s never a permanent feature.  (Like a friend popping round for a cup of tea).

Negotiating foreign lands; fumbling on google translate for the simplest of words; pretending not to be afraid of the drunken group of Georgian lads behind me; eyeball to eyeball with a raging motorist on the streets in Malawi; it all requires confidence, and even when I’m faking it, I remember its scent, what it feels like, and I emulate it until I’m away from compromising predicaments.  But when confidence has fled on a horse, bolting for the woods, leaving a trail of yellow swirling smoke in its wake, it takes with it its smells, its taste – its essence scattered in horse-shit in the direction of those trees.

I had nothing to give these last two weeks, avoiding all confrontation like the world had rabies.  The Crow was his usual charming self, pecking and scratching and cawing in my face.  But he wasn’t any worse than he had been.  My confidence simply decided to run off and have a holiday, take the next train or bus out of town, stranding me at the station.

For these weeks I was a knight without a sword or shield.  Vulnerable in a field as my horse dragged my banner through the mire – ‘I might as well be naked,’ I remember thinking recently, on more than one occasion.

“Cowardice is a chicken dipped in yellow paint,” is something Uncle Jack might have said.  And I feel like the chicken I watched being sacrificed in a church on the outskirts of San Cristobal – helpless, occasionally struggling against the old woman’s strong, bony hands.  She snapped its neck, and I switched my eye-line to the straw covered stone-floor.  It’s what they do there, and I had gone to watch it happen, in that strange church in Mexico.  I have been that chicken these last few days, meek in my voice and posture.  I felt my own neck could have been easily snapped by an old woman in a blue dress on a cold church floor.

I’m seeing friends and family now.  I must not complain.  There are seeds of dread in my stomach but I could be dying alone at the foot of a mountain.  Or starving in a field.  Or freezing in a cardboard box under a bridge in a wet city.  It’s all OK.  My family and good friends are here – although a crow with red eyes is pecking at the mistletoe…

Merry Christmas one and all, happy holidays, joy and all that stuff, not just in this season of good will, but always and forever..

 

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BRANDO and the BLACK SPONGE

The crow is Godzilla and I am Tokyo. Yet another monster movie, but have you seen the performance from the lead protagonist?  Blood surges in my ears, sounding like a drum roll, and on stage an old but legendary movie star fumbles open an envelope. “…And the award for best Actor goes to…”

…Yan Baskets, and Julia Brown, and Johnny Lester and Fernando Cortez, and the millions of others hiding a mental illness from the world.

Years ago, struggling to hold down my job, every morning I would be greeted by the same friendly work colleague.  “Morning, Yan,” he would say, and I would smile and ask if he’d had a good evening, nodding and joking on the outside, but inside throwing up splinters.  The work floor would be noisy, an ugly rumination around every hissing corner – vampires on panpipes, and as the Crow attacked, the continuous whirring of the machines, the clanking and the banging, made my workplace feel like a state at war. There be injuns inside, and gun-toting Cowboys, Mexican bandits shooting pistols into the sky.  Gun fight at the Not-so-Ok Coral.  The fear I had in the morning would multiply into a thirty foot monster by clocking out time.  So yes, the Crow is Godzilla and I am Tokyo – but most of the time the city falls in silence, like a scene from an old black and white movie from the twenties.

“You’re a cheerful chap, Yan,” my colleague once said as, unbeknownst to him, Tokyo tower crumbled into my lap.  I don’t regret not telling him.  He had his own problems, everyone does.  Tokyo would still fall.  I’d cycle home after my shift, appreciating the quiet, struggling to make sense of those malicious thoughts on the battlefield, distorted shapes dancing through the gun smoke.

“Good day at work?”  The voice of my mum, dad, girlfriend or brother.  It wouldn’t matter, my answer was always a lie.

“Yeah, not bad thanks/I’m just gonna take a shower/Dinner smells good/We still going out tonight?”  Fear bubbling in my stomach but my face stretched into a rictus grin – Marlon Brando on the outside, but inside, my mind absorbing all the fears of the world like a black sponge.

I regret not telling certain friends and family.  In the early days it wasn’t an option because I feared I was a lunatic, but when my OCD was diagnosed, I think I should have led a handful more through the gates into my secret world.  Certainly explained in more detail to those that I did tell.  I guess I was unjustly embarrassed; it was easier to play a part in a mainstream movie than stand out in an avant-garde independent feature.  In this sense I believe that I’m a good actor, because so many of my friends and acquaintances would have bet a month’s wages that I was the furthest someone could be from suffering from a mental illness. And it goes the other way – I wonder how many of my friends are writhing in silence in the shadows of their own demons, whether its depression, or addiction, or caught in a loop of fear and loathing.  How good an actor are they? And it’s not just on an epic-movie scale, once in a while it’s a twenty second scene as a walk-on extra in a play – a simple smile and nod to the shop assistant, or a thank-you to the bar-tender when inside, the world is falling apart.

Yan Baskets isn’t my real name, so I’m still doing it.

Ironic that on my trip to India, I was approached on the streets of Mumbai and offered to work as an extra in a Bollywood film.  I also did an advert and a trailer for a TV show with the same agency.  I loved the experience, but in those days the Crow was a sledgehammer, it had taken all my effort just to get on the plane out there, and on the film set, when they asked me to come back the next day, I’d been under such ferocious attacks, was so tired and battle scarred, that I declined and went to Goa to stick my head in the sand instead.  I clearly remember the sickness in my belly as the busy world of Bollywood moved in a blur around me.  I spoke with the director, the actors and actresses, but Crow banged on a drum in my head, ruining the experience like stirring a glass of wine with a liquorice stick.  Physically I was in the Bollywood studios in Mumbai; mentally I was shivering on the wet floor of a concrete cell.  Crow battered me with a cricket bat during those three days, and I regrettably walked away, travelling down to the western state with a young Dutch couple, and pretended to be OK as the crow ate me from the inside. I should have stayed on the film set and at least continued getting paid to be someone else.

So polish that Oscar, I’ve already written my speech. I’d like to thank my mum and dad, and of course the Crow, whose absence would mean I wouldn’t have had to take up acting in the f**king first place.

 

 

DRAGON versus HYDRA

I’ve said to people in the past that suffering from a mental illness is worse than breaking a bone. And then I broke a bone and realised that’s no fun either.  They’re both painful; it doesn’t have to be a competition.

I’d take a week off work, and fester in bed grappling a particular intrusive thought, unable to concentrate on anything else for longer than a minute – I’d try but there would be a sickness in my stomach like I’d swallowed a glass of worms.  ‘I can’t feel worse than this,’ I’d think.  But then I caught malaria in Uganda, and along with shaking chills and a burning fever, the throbbing, thumping headaches I endured silenced the crow as quickly as a shotgun blast to his head.

It was an odd relief, and thanks to an incompetent doctor in the Ugandan town of Jinja, who falsely diagnosed a torn shoulder muscle instead of malaria, the parasite had gone undetected.  I was suffering.  The pain in my head was unbearable at times, but after the crow had told me it was an inoperable tumour, all of a sudden he became useless, obsolete as the illness took a firm hold in my blood.  I couldn’t think of a shopping list let alone dissect the meandering cunning of an OCD riddle.

‘If it’s a tumour then I’ll die.  The end.’ I could not think past that simple equation, so loud was the banging in my skull, like goblins pounding on steel drums.  When the throb became a constant pain, as if my head was jammed in a vice, the crow fled the battlefield like the yellow devil I always knew he was, white flag flapping in tatters as he disappeared over the smoking horizon.  I managed to leave Africa but missed my connecting flight to Mexico, I stumbled from Heathrow towards Gatwick, where my brother (who’d come to meet me in the layover) thrusted twenty pounds in my hand and guided me into a taxi at Kings Cross station.  A few hours later at the Hospital of Tropical Diseases, and quarantine was finally lifted when they accurately diagnosed the infection.  There was relief, but the moment the medication took control, the Crow was back hopping on my hospital bed, claws clanking on the metal headrest.

I sat incredulous between white sheets, but smiled anyway.

He jabbed a talon in my eye, I blinked and thought of murder.

“I missed you, crow,” I lied.

And there we were again, biting, scratching, rolling around like two lovers in a barn, like rival drunks wrestling on the sawdust floor of a wild west saloon.  I smiled at the injustice of it all.  But his smile is always wider than mine, a black rainbow slashed across his face.  “You could punch that window and cut your wrist in a second, or swallow bleach from the cleaners’ storeroom, imagine their faces while you’re choking to death on your own blood.  What’s stopping you, Yan?” He sank his beak into my cheek.  “Erase these urges by concentrating on a blast of pure white light.  It’s worked before, but remember, you have to do it perfectly.”

Success was a brilliant, obliterating explosion in my mind.  No more talk of dying today. But…

…”Did you know that Little One wants to f*ck that doctor, just look at their body language.  What else could it all mean, think it through, you know I’m wrong but you know how it works, I need proof that I’m wrong.  Make it feel right?  Come up with an alternative and seal it quickly with another blinding flash.”

For a second I wished I still had malaria.

In 2011, I had ingested a different parasite and contracted Giardiasis from a stream in Belize.  By the time I reached Honduras, I was suffering from nausea and extreme diarrhoea.  “You’re belching like a swamp monster,” said Little One.  As I lay stinking and rancid, huddled on the bathroom floor, there wasn’t a feather in sight.

As vicious as he may be, it turns out the crow has more than one chink in his black armour, and it’s not a straw-man standing in a field.  It’s a broken bone, but only when it snaps; a sickness in the belly, but only during the most nauseating hours; a parasite in the blood, but only when it knocks me to the floor and I cannot move.

Physical or mental, pain hurts by default, if not it wouldn’t be pain.  But which is worse?  The quick snap of the fibula or the long, drawn out horror of an intrusive OCD spike?  I’d probably choose to lose an arm if it meant the crow would follow it into the incinerator, but if I had to cut it off myself with a hacksaw, I might only get to break the skin before I changed my mind.  I guess I’ll never know because medical science doesn’t work like that, not since the Middle Ages anyway – and I’d have taken the leeches for sure.

I hate mental anguish – anxiety and fear.

I hate physical pain – high fever and broken bones.

A quick death by fire, or much slower, from venom in my blood?

Incineration by flames or suffocation by madness?

Dragon or Hydra?

No contest.

Neither.

Medusa in the Mirror

Our house-sitting assignment in Greece is coming to an end.  The cat is still alive.  We have two more weeks on the island but it’s time to decide where to head next, and there are plenty of options, a million corners of the world I haven’t seen.  A part of me wants a country I’ve not set foot in, to see alternative things, experience different ways, and hopefully drink cold beers with new friends. But a big part feels I should go back somewhere I’ve already visited, a place where the crow ruined my experience the first time round – and there are plenty of those.

Although the majority of my compulsions are invisible to others, either fighting or appeasing them in my head, away from prying eyes, I did at one time suffer from an absurd relationship with shadows, particularly in a reflection.  Today, although niggled and prodded when I stare into a mirror or window, I can generally ignore it, but in the bad old days, when the feathered one was a much stronger force, I spent hours standing in front of bathroom mirrors or lounge windows, glaring into my own face and battling to get that perfect ‘safe’ feeling.  I dread to think of the accumulated time I’ve wasted imagining a blinding white light every-time I noticed a shadow in a mirror.  I stamped this particular fire out as I got older, but when I first went travelling, for no other reason than the Crow is a sociopath, I began to suffer a resurgence of these nonsensical attacks.  I still continued to obsess over a thousand other fears, but this particular compulsion saw me miss countless buses in Thailand, insane sunrises in New Zealand, and endless days of adventure in the heart of South America.

It would go a little like this…

I would walk past a mirror, head looking down or over my shoulder because I wouldn’t want to trigger the spike.  Maybe I’d glance up, or simply catch a reflection in the corner of my eye, either way I would notice the dark shade of my eye sockets, or possibly the long shadow of a lamp-lit shelf cast across a wall. The crow would hop onto my shoulder.

“Just like a cancerous shadow on a lung,” he would say.

I’d become transfixed, stomach churning like a vat of old milk, legs as heavy as stone, searching the reflected world for unnecessary shadows.  The dark shaded hollows in my cheeks symbolised cancer, so concentrate on that blinding fake white light and what?  The cure?

“Yes” whispers the Crow.  “The cure for the cancer in your bones.”

Will this be the last time?

“Of course,” says the Crow, sniggering no doubt, with rusty scissors on his mind.

Ok, I’ll wait, standing in front of my thin reflection, eyes fixed upon my own eyes, imagining a flash of pure white.  God’s light burning bright, except it’s not there, just like the cancer and the liver disease and the AIDS virus I imagine swimming in my veins – but the crow has promised me this will be the last time, and although he’s lied a million times before, maybe this promise is genuine.

But never trust your OCDemon.

I would eventually capture that evasive white light and yes, he would let me walk away.  However, as I passed a mirror in the next room, he would reappear as another shadow, another snake on Medusa’s head hissing threats of terrible disease and random ways to die.  I’d turn to stone again.  A family member will die of AIDS, unless…

“Concentrate Yan, the blinding light will prevent this tragedy, and scare me off for good, no doubt.”

Let me guess, this will be the very last time?

“Of course,” says the crow, a razor smile and the devil in his eye.  “One for the road.”

So I missed the bus to Pattani, remained in bed as the amazing sunset burst from the rolling hills of New Zealand, sat lonely in the ramshackle room in Ecuador, glaring at my reflection as my day pack sat useless on the bed.  I spent a lot of time in foreign lands frozen in front of a mirror, apparently saving my own life and the lives of relatives as I pictured dazzling blasts of light, bright like atomic explosions, detonate across the imitated world behind me.

It’s ironic that I travelled halfway across the world to stare at myself in an empty room.  Yet I smiled as I wrote that last sentence, proving to myself that I’m leaps and bounds from where I was before. A few years ago the bitter frustration at the missed opportunities would have seen me launch a mug of coffee at the wall – or my head.

I’m not sure where I’ll be next month but I know that someday I must return to a hundred and one places and look OUT of the window instead.  Maybe this time catch that bus to Pattani.

TOO MANY TEETH IN THE TOOTH FACTORY

I live in the shadow of a colossal factory, its thirteen chimneys spewing black smoke into the ozone. Wherever I go in the world, I smell its toxins polluting the space around me, the thirteen brick towers casting their gloom over my sagging shoulders.  A long conveyor belt loops around the foundry floor, and whenever my head is clear, or I am happy, a spike falls into a box and is delivered, wherever I am in the world (via ‘Crow Express Delivery Service’,) to my doorstep.

To help me cope, to understand what is happening in my mind, I have used many metaphors over the years.  Often I think of these spikes, these intrusive thoughts, as teeth.  Each fear is a fang, and sometimes I am bitten by one tooth, sometimes by an entire row.  I usually obsess over one intrusive thought until I can bury it, often in a shallow grave in the woods, but occasionally somewhere more permanent, like deep in the foundations of a city new-build, or maybe Mafioso style and thrown into the sea with concrete boots.  However, when there are several spikes, or teeth, the day generally spirals into an inescapable black pit.

A while ago now, at the end of one particularly cruel day, I counted that thirteen intrusive thoughts had spiked me – thirteen yellow teeth biting into my bones, puncturing thirteen holes direct into my marrow.  It was mid-March, seventy-seven days into the year.  I calculated that another two and a half months like today would mean being mauled, potentially, by one thousand and one teeth. It was a mortifying prospect. So far that year I’d done absolutely nothing, not a plan made or a dream realised since January the first. No memories but a thousand terrible maybes, and not a single one of them had come true. But still I worried.

As panic incapacitated me two considerable things happened. First, I realised that I had to do something, anything, before I died with a spike in my throat, choking on splinters, having achieved nothing in my life; but more importantly, it was the start of my resignation period. As my condition worsened over the years, my multiple attacks began to have a bizarre calming effect. The more teeth that punctured me meant more rituals, more time touching wood or imagining blinding sheets of lightning, sweating on my bed, howling at the wall and wishing I was in a coma – but something else was occurring too.  My brain felt like it was vibrating, stressed under the flashing red lights and plumes of smoke from the overworked cogs and dials. One especially bleak day of ruminating ridiculous events, pinned to my bed and pulling out my hair strand by strand, I experienced a type of shut-down. The factory had produced excess items and the conveyor belt was jammed as it meandered through the various machinery, or there were too many teeth in the attack dog’s mouth and it was unable to gain a proper purchase, or the Crow’s beak was blunted with the excess pecking, like a reused nail hammered into one piece of wood too many. It didn’t matter what metaphor I chose, the important thing was that I rode a wave of euphoria that lasted a considerable amount of time.

It’s strange, but I learned that the more the Crow flexes his wings, or the dog bares his teeth, or when extra spikes roll off the production line, the more peace I feel because of my resignation to the cold fact that I simply cannot handle the ferocity of the attacks.  I forget the lies the Crow has whispered in my ear because on such formidable days he talks too much, or the pain from the bite wound on my leg eclipses the throb from the one on my arm, or the factory warehouse loses stock in its jungle of boxes.  The irony is laughable, the more spikes that puncture my mind, the more I can heal.

“Too many cooks spoil the broth,” sneers Crow.

Of course the Crow still flies, and the dog still bites and the factory continues to produce, but when that invisible line is crossed, there becomes much less ruffle to the feathers, strength in the jaws and far less pollution in the river.  More is less, or something like that.

I nearly forgot this is a travel blog too.

I’m currently still in Greece waiting to be relieved of house sitting duties.  The cat is still alive and I’ve not stabbed myself to death or died of a brain tumour or been burnt alive by angry villagers in a giant wicker-man. Since I’ve been here the factory has produced these exact fears, and lots more besides.  Or, depending on my metaphor, the Crow has whispered them in my ear, or gnashing teeth have gnawed them into my skin.  But the factory is rusting and the Crow is getting old, because his feathers are starting to fall out and his peck (on good days) feels no more than a tickle.

At this moment, peeling a lemon with my free hand, I have no idea where my next destination will be.  I do know there’ll be a factory close by, and a crow, turning slightly grey, circling in the sky.

 

Chewing Feathers

By far, the most enjoyable part of my travelling has not been what I’ve seen along the way but who I’ve met.  If I had stayed in my hometown in England I’d never have shared a smoke and a few lines with inmates in their cell during a prison visit in Ecuador, or had a conversation with a freight-hopping Brooklyn vagabond in the alleyways of New York City, or played a thousand hands of cards with an eccentric Panamanian who drank Las Vegas dry and escaped the US owing thousands in medical bills.  From drinks with a ’60s Slovenian pop star to a night in Thailand with a Hawaiian pot dealer, for me, it’s all about the people.

It’s just a shame that I’ve either had to cut the meetings short, (I should have gone to the golf club in Ljubljana), or missed the bones of a conversation (what was the moral of the homeless man’s tale again?) If I hadn’t had the Crow flapping in my ears, maybe I’d have learned and experienced more than I have.  But then again, if it wasn’t for that feathered demon from the abyss, I probably wouldn’t have sold my home in England – I wouldn’t be here, house-sitting in Greece, watching the distant fishing boats idle on the calm blue sea.

I often lament those split conversations, the times when you find yourself talking to someone in the outside world, but you’re also busy trying to talk sense to yourself somewhere on those chaotic plains in your head.  Dissecting a thought you take too long answering a question, there’s an awkward silence, maybe you didn’t quite catch what was said.  You ask them to repeat their question, just as another spiked cannonball roars from the Howitzer, hurtling in your direction.  You’ve missed the real world conversation AGAIN! You’re standing there, literally face to face with a man you met on a train, and you’re listening but struggling to hear a single word he’s spoken all morning.  A third time, and yes, you hear what’s being said but it makes no sense because you missed the critical three minutes of dialogue before this current query.  You smile apologetically, “Sorry mate, I was miles away.”  You blame a late night, say you’re a prolific daydreamer, or, “that joint has really hit me, man.”  You certainly can’t mention the screeching bird in your cerebrum.  “Sorry mate, I was talking to the Crow,” is not an option.

The problem is not only missing the key words but also, when you know precisely what’s being said, your stomach can feel so full of lead that you don’t have the mental strength to join in, or expand the question, or debate it, or anything at all because you’ve got the black feathered Prince of Doubt pecking holes on your head.  Chances are I’ve missed out on more than a fistful of profound revelations because of this.  I could have had the answer to life explained to me in glorious detail but was too busy thinking about killing myself in front of my Nan to heed the advice.

If it worked the other way around it would be the perfect solution to my problems.  “Sorry Crow, I was talking to my friend, you’ll have to wait.  Stand in line, or come back tomorrow.”

The greatest problem with OCD, for me, is that big fat O – Obsessional thoughts that fight for my absolute attention the moment I’m conscious.  My alarm sounds and I open my eyes, and there’s my breakfast on the bedside table, six inch nails on toast.  Of course, most people experience dark thoughts every day, but with the crow, and the millions of other crows, imps, and demon monkeys out there perched on peoples’ shoulders, it’s not just every day, but every second of every minute of every hour of every day.

It’s not surprising that we miss things.  We just have to make the most of the conversations we do have, and as the Crow circles me a little higher these days, here is a plea to all OCDemons the world over to ignore:  “Give your hosts a break, let them have a spike-free conversation with whoever is sharing their table, whether it’s in a bar in Southeast Asia or in the lounge of their grandmother’s house, back the f*ck off for an hour or so.”

 

The Art of Stopping

Too much of anything is a bad thing.  I have to learn to stop, (like stop spending all my spare time on the Playstation.)  But things I enjoy are easy to stop.  It’s the things I don’t like doing that I struggle halting.

Stop thinking – like in my younger years pretending to be upstairs on my computer when I was actually laying on my bed, facing the wall, worrying, ruminating, obsessing over AIDS, paranoid that a boy at school wanted to stab me to death – are those heart murmurs in my chest?  I shouldn’t have watched those television shows about modern medicine because by the time the credits were rolling I’d diagnosed myself with Leukaemia and Parkinson’s and three types of lung disease.

Stop drinking – like waking up in a homestay in Havana, Cuba, mottled in vomit.  Apologising to the old woman whose house it was, taking the sheets to the launderette, humiliated when they refused to wash them.  “Too dirty to clean,” they said.  Oh the irony!  Our new Cuban friend, Alex, had showed us the particulars of local life, cheap bars and hole-in-the wall eateries, and nicknamed me ‘El Dragón’ the previous night, because of the noises I was making, the roars and facial tics, as he and his friend helped me home along the Malecón.  It had been a hard few days, spikes-a-plenty me hearties, and I was trying to drown the crow in a barrel of rum.  I was drunk, ecstatic that the crow was silenced, but I didn’t know when to stop, the cheerful haze mutating to a red mist, angry at myself that I didn’t feel like this all the time.  That fucking crow! And then the facial churns and the roars as the two Cuban men helped me to my homestay through the dawn-lit Havana streets.

Stop joking – know when to be serious.  At school I tried to keep the OCDemon at bay by laughing loudly, the class fool, taking the jokes too far, forcing them out when inside I was terrified of everything in the world.  The silent moments between antics magnifying the ways I could die, how unless I thought things through to their conclusion, I was going to have my house set on fire by school bullies, with my parents still inside, or worse, maybe I would lose control, pouring the petrol and striking the match myself.  So fuck silence, my education, a chance to be someone.  Be silly instead, force out those crappy jokes because when the class is laughing, the crow is crying.  God, how I wish now I’d stopped and learned something useful.  But I know, struggling in that classroom all those years ago, it was impossible to absorb any information other than how I could draw blood, or ruin lives, or shock old people to death by screaming in their ears.  I must not be too hard on myself, and I’m not – I don’t cut myself anymore for being plagued by these thoughts.

Stop ruminating, stop worrying, stop whinging, stop taking those tablets that turn me into the walking dead – shuffling around the room searching for my lost libido.

Stop writing – when I’ve said enough for the day because thinking of the Crow is making me sad, know when to close the lap-top.