I live in the shadow of a colossal factory, its thirteen chimneys spewing black smoke into the ozone. Wherever I go in the world, I smell its toxins polluting the space around me, the thirteen brick towers casting their gloom over my sagging shoulders. A long conveyor belt loops around the foundry floor, and whenever my head is clear, or I am happy, a spike falls into a box and is delivered, wherever I am in the world (via ‘Crow Express Delivery Service’,) to my doorstep.
To help me cope, to understand what is happening in my mind, I have used many metaphors over the years. Often I think of these spikes, these intrusive thoughts, as teeth. Each fear is a fang, and sometimes I am bitten by one tooth, sometimes by an entire row. I usually obsess over one intrusive thought until I can bury it, often in a shallow grave in the woods, but occasionally somewhere more permanent, like deep in the foundations of a city new-build, or maybe Mafioso style and thrown into the sea with concrete boots.
A while ago now, at the end of one particularly cruel day, I counted that thirteen intrusive thoughts had spiked me – thirteen yellow teeth biting into my bones, puncturing thirteen holes in my marrow. It was mid-March, seventy-seven days into the year. I calculated that another two and a half months like today would mean being mauled, potentially, by one thousand and one teeth. It was a mortifying prospect. So far that year I’d done absolutely nothing, not a plan made or a dream realised since January the first. No memories but a thousand terrible maybes, and not a single one of them had come true. But still, I worried.
As panic incapacitated me two considerable things happened. First, I realised that I had to do something, anything, before I died with a spike in my throat, choking on splinters, achieving nothing in my life. And second, but more importantly, a new thinking process began to kick its feet. As my condition worsened over the years, those multiple attacks began to have a bizarre calming effect. The more teeth that punctured me meant more rituals, more time touching wood or imagining blinding sheets of lightning, sweating on my bed, howling at the wall and wishing I was in a coma – but something else was occurring too. My brain felt like it was vibrating, stressed under the flashing red lights and plumes of smoke from the overworked cogs and dials. One especially bleak day of ruminating ridiculous events, pinned to my bed and pulling out my hair strand by strand, I experienced a type of shut-down. The factory had produced excess items and the conveyor belt was jammed as it meandered through the various machinery, or there were too many teeth in the attack dog’s mouth and it was unable to gain a proper purchase, or the Crow’s beak was blunted with the excess pecking, like a reused nail hammered into a piece of wood one too many times. It didn’t matter what metaphor I chose, the important thing was that I rode a wave of euphoria that lasted a considerable amount of time.
It’s strange, but I learned that the more the Crow flexes his wings, or the dog bares his teeth, or when extra spikes roll off the production line, the more peace I feel because of my resignation to the cold fact that I simply cannot handle the ferocity of the attacks. I forget the lies the Crow has whispered in my ear because on such formidable days he talks too much; the pain from the bite wound on my leg eclipses the throb from the one on my arm; the factory warehouse loses stock in its towering jungle of boxes. The irony is laughable, the more spikes that puncture my mind, the more I can heal.
“Too many cooks spoil the broth,” sneers Crow.
Of course, the crow remains in the sky, the dog still bites and the factory continues to produce, but when that invisible line is crossed, there becomes much less ruffle to the feathers, strength in the jaws and far less pollution in the river. More is less, or something like that.
I nearly forgot this is a travel blog too.
I’m still in Greece waiting to be relieved of house sitting duties. The cat is still alive and I’ve not stabbed myself to death or died of a brain tumour or been burnt alive by angry villagers in a giant wicker man. Since I’ve been here the factory has produced these exact fears, and lots more besides. Or, depending on my metaphor, the Crow has whispered them in my ear, or gnashing teeth have gnawed them into my skin. But the factory is rusting and the Crow is getting old because his feathers are starting to fall out and his peck (on good days) feels no more than a tickle.
At this moment, peeling a lemon with my free hand, I have no idea where my next destination will be. However, I do know there’ll be a factory close by, and a crow, turning slightly grey, circling in the sky.